#14 How to spin F: Resilience
F a vehicle of expression transforms the composer’s vision and compels him to think about why the key to open his suite is the same one he chooses to close it with after opening his door twelve different ways. Read how it wraps up. (14 of 14)
One way to make this fast: describe the world turning in peace and harmony. Spot the phrase in italics and hear the music for 20 “smart reader” points.
Reiteration is entirely inappropriate when there is no more to say and this time it is important to discern whether the relief is a reality or the reality is a relief. Maybe it is best to accept them both.
In many ways after all is said and done it required much effort getting this far, so with the rewards prone to being hidden, congratulations are in order, if anything at all is gained.
The prose invented for these publications is meant to enhance the relationship between the story All in a Day’s Dance and The TW Suite music by L.R. Lane.
Hopefully, the dimensions of this series are increased by the puzzles and unusual word play without following patterns of poppycock and gibberish.
Of course the production is fictitious (even fabricated) which should bring the origin of the suite of music into question. It had to somehow be composed and it should be noted that creating is what this writing opportunity is about, because if it was not for the variable ‘F’ nothing new would be produced. Originality constrained, choking the plot and trifling with the music had to be warded off to give each track a chance to validate the story.
As indicated in newsletter one the promise of a chance to expand upon creative artistic ability is sometimes a disguised agenda. There was no other way but to skirt around the pitfalls and transcend the invariable challenges. The need was for a tangible full-scale production to be accessible and the subject of an interactive website. Creating it fictitiously made it workable.
It might be appropriate to describe the whole collection of works as a stream of consciousness in the form of music or at least something similar to it, but whatever the case The TW Suite happened, is still happening and is vital to at least one character albeit strictly fictional.
Before closing off let us pay respect to ‘F’ on the fence between laughable and phony because wherever being confounded is normal and rationality is at its best flattened on the concourse by a plundering horde of knockoffs there can be no confusion over anything truly false.
The main thing: ‘F’ (if used as an instrument to demonstrate resilience) influences any circumstance it encounters and can never stand for being final.
This is where reiteration must take a bow.
The End of the Game
There is a solution to every puzzle once the antagonist has been refined and redefined.
Interact at L.R. Lane’s website.
Congratulations on 280 more “smart reader” points — a true satis - fact -tion and maybe one rebus down, but yet to be fazed or fathomed is the trying Jape’s Riddle .
This is the final newsletter. Thank you for completing the series and allowing ‘F’ to prove its value as a vehicle for music.
